A promise made twenty-eight years ago calls seven adults to reunite in Derry, Maine, where as teenagers they battled an evil creature that preyed on the city’s children. Unsure that their Losers Club had vanquished the creature all those years ago, the seven had vowed to return to Derry if IT should ever reappear. Now, children are being murdered again and their repressed memories of that summer return as they prepare to do battle with the monster lurking in Derry’s sewers once more.
Авторы: King Stephen Edwin
Ben found out there were no speed limits in Iowa, where the book was set. That was sort of cool.
He looked up after three chapters, and his eye was caught by a brand-new display. The poster on top (the library was gung-ho for posters, all right) showed a happy mailman delivering a letter to a happy kid. LIBRARIES ARE FOR WRITING, TOO, the poster said. WHY NOT WRITE A FRIEND TODAY? THE SMILES ARE GUARANTEED !
Beneath the poster were slots filled with pre-stamped postcards, pre-stamped envelopes, and stationery with a drawing of the Derry Public Library on top in blue ink. The pre-stamped envelopes were a nickel each, the postcards three cents. The paper was two sheets for a penny.
Ben felt in his pocket. The remaining four cents of his bottle money was still there. He marked his place in Hot Rod and went back to the desk. ‘May I have one of those postcards, please?’
‘Certainly, Ben.’ As always, Mrs Starrett was charmed by his grave politeness and a little saddened by his size. Her mother would have said the boy was digging his grave with a knife and fork. She gave him the card and watched him go back to his seat. It was a table that could seat six, but Ben was the only one there. She had never seen Ben with any of the other boys. It was too bad, because she believed Ben Hanscom had treasures buried inside. He would yield them up to a kin d and patient prospector . . . if one ever came along.
8
Ben took out his ballpoint pen, clicked the point down, and addressed the card simply enough: Miss Beverly Marsh, Lower Main Street, Derry, Maine, Zone 2. He did not know the exact number of her building, but his mamma had told him that most postmen had a pretty good idea of who their customers were once they’d been on their beats a little while. If the postman who had Lower Main Street could deliver this card, that would be great. If not, it would just go to the deadletter office and he would be out three cents. It would certainly never come back to him, because he had no intention of putting his name and address on it.
Carrying the card with the address turned inward (he was taking no chances, even though he didn’t see anyone he recognized), he got a few square slips of paper from the wooden box by the card-file. He took these back to his seat and began to scribble, to cross out, and then to scribble again.
During the last week of school before exams, they had been reading and writing haiku in English class. Haiku was a Japanese form of poetry, brief, disciplined. A haiku, Mrs Douglas said, could be just seventeen syllables long — no more, no less. It usually concentrated on one clear image which was linked to one specific emotion: sadness, joy, nostalgia, happiness . . . love.
Ben had been utterly charmed by the concept. He enjoyed his English classes, although mild enjoyment was generally as far as it went. He could do the work, but as a rule there was nothing in it which gripped him. Yet there was something in the concept of haiku that fired his imagination. The idea made him feel happy, the way Mrs Starrett’s explanation of the greenhouse effect had made him happy. Haiku was good poetry, Ben felt, because it was structured poetry. There were no secret rules. Seventeen syllables, one image linked to one emotion, and you were out. Bingo. It was clean, it was utilitarian, it was entirely contained within and dependent upon its own rules. He even liked the word itself, a slide of air broken as if along a dotted line by the ‘k’-sound at the very back of your mouth: haiku.
Her hair, he thought, and saw her going down the school steps again with it bouncing on her shoulders. The sun did not so much glint on it as seem to burn within it.
Working carefully over a twenty-minute period (with one break to go back and get more work-slips), striking out words that were too long, changing, deleting, Ben came up with this:
Your hair is winter f ire,
January embers
My heart bums there, too.
He wasn’t crazy about it, but it was the best he could do. He was afraid that if he frigged around with it too long, worried it too much, he would end up getting the jitters and doing something much worse. Or no t doing it at all. He didn’t want that to happen. The moment she had taken to speak to him had been a striking moment for Ben. He wanted to mark it in his memory. Probably Beverley had a crush on some bigger boy — a sixth — or maybe even a seventh-grader, and she would think that maybe that boy had sent the haiku. That would make her happy, and so the day she got it would be marked in her memory.
