Misery Chastain was dead. Paul Sheldon had just killed her — with relief, with joy. Misery had made him rich; she was the heroine of a string of bestsellers. And now he wanted to get on to some real writing. That’s when the car accident happened, and he woke up in pain in a strange bed. But it wasn’t the hospital.
Авторы: King Stephen Edwin
breath blew down his throat again. Blew down it like the dank suck of wind which follows a fast subway train, pulling sheets of newspaper and candy-wrappers after it, and the lips were withdrawal, and he thought For Christ’s sake don’t let any of it out through your nose but he couldn’t help it and oh that stink, that stink that fucking STINK.
“Breathe, goddam you!” the unseen voice shrieked, and he thought I will, anything, please just don’t do that anymore, don’t infect me anymore, and he tried, but before he could really get started her lips were clamped over his again, lips as dry and dead as strips of salted leather, and she raped him full of her air again.
When she took her lips away this time he did not let her breath out but pushed it and whooped in a gigantic breath of his own. Shoved it out. Waited for his unseen chest to go up again on its own, as it had been doing his whole life without any help from him. When it didn’t, he gave another giant whooping gasp, and then he was breathing again on his own, and doing it as fast as he could to flush the smell and taste of her out of him.
Normal air had never tasted so fine.
He began to fade back into the haze again, but before the dimming world was gone entirely, he heard the woman’s voice mutter: “Whew! That was a close one!” Not close enough, he thought, and fell asleep.
He dreamed of the piling, so real he felt he could almost reach out and slide his palm over its green-black fissured curve.
When he came back to his former state of semi-consciousness, he was able to make the connection between the piling and his current situation — it seemed to float into his hand. The pain wasn’t tidal. That was the lesson of the dream which was really a memory. The pain only appeared to come and go. The pain was like the piling, sometimes covered and sometimes visible, but always there. When the pain wasn’t harrying him through the deep stone grayness of his cloud, he was dumbly grateful, but he was no longer fooled — it was still there, waiting to return. And there was not just one piling but two; the pain was the pilings, and part of him knew for a long time before most of his mind had knowledge of knowing that the shattered pilings were his own shattered legs.
But it was still a long time before he was finally able to break the dried scum of saliva that had glued his lips together and croak out “Where am I?” to the woman who sat by his bed with a book in her hands. The name of the man who had written the book was Paul Sheldon. He recognized it as his own with no surprise.
“Sidewinder, Colorado,” she said when he was finally able to ask the question. “My name is Annie Wilkes. And I am — “
“I know,” he said. “You’re my number-one fan.”
“Yes,” she said, smiling. “That’s just what I am.”
Darkness. Then the pain and the haze. Then the awareness that, although the pain was constant, it was sometimes buried by an uneasy compromise which he supposed was relief. The first real memory: stopping, and being raped back into life by the woman’s stinking breath.
Next real memory: her fingers pushing something into his mouth at regular intervals, something like Contac capsules, only since there was no water they only sat in his mouth and when they melted there was an incredibly bitter taste that was a little like the taste of aspirin. It would have been good to spit that bitter taste out, but he knew better than to do it. Because it was that bitter taste which brought the high tide in over the piling.
(PILINGS its PILINGS there are TWO okay there are two fine now just hush just you know hush shhhhhh) and made it seem gone for awhile.
These things all came at widely spaced intervals, but then as the pain itself began not to recede but to erode (as that Revere Beach piling must itself have eroded, he thought, because nothing is forever — although the child he had been would have scoffed at such heresy), outside things began to impinge more rapidly until the objective world, with all its freight of memory, experience, and prejudice, had pretty much re-established itself. He was Paul Sheldon, who wrote novels of two kinds, good ones and best-sellers. He had been married and divorced twice. He smoked too much (or had before all this, whatever “all this” was). Something very bad had happened to him but he was still alive. That dark-gray cloud began to dissipate faster and faster. It would be yet awhile before his number-one fan brought him the old clacking Royal with the grinning gapped mouth and the Ducky Daddles voice, but Paul understood long before then that he was in a hell of a jam.