Misery Chastain was dead. Paul Sheldon had just killed her — with relief, with joy. Misery had made him rich; she was the heroine of a string of bestsellers. And now he wanted to get on to some real writing. That’s when the car accident happened, and he woke up in pain in a strange bed. But it wasn’t the hospital.
Авторы: King Stephen Edwin
his throat. Was he going to let it stay there, or was he going to be a man and sick the fucking thing up?
Another memory came then; it seemed like this was an All Request Oldies day for Paul Sheldon. This one was of Oliver Reed as the mad but silkily persuasive scientist in David Cronenberg’s movie, The Brood. Reed urging his patients at The Institute of Psychoplasmatics (a name Paul had found deliciously funny) to “go through it! Go all the way through it!” Well… maybe sometimes that wasn’t such bad advice.
I went through it once. That was enough.
Bullshit was what that was. If going through things once was enough, he would have been a fucking vacuum-cleaner salesman, like his father.
Go through it, then. Go all the way through it, Paul. Start with Misery.
No.
Yes.
Fuck you.
Paul leaned back, put his hand over his eyes, and, like it or not, he began to go through it.
All the way through it.
He hadn’t died, hadn’t slept, but for awhile after Annie hobbled him the pain went away. He had only drifted, feeling untethered from his body, a balloon of pure thought rising away from its string.
Oh shit, why was he bothering? She had done it, and all the time between then and now had been pain and boredom and occasional bouts of work on his stupidly melodramatic book to escape the former two. The whole thing was meaningless.
Oh, but it’s not — there is a theme here, Paul. It’s the thread that runs through everything. The thread that runs so true. Can’t you see it?
Misery, of course. That was the thread that ran through everything, but, true thread or false, it was so goddam silly.
As a common noun it meant pain, usually lengthy and often pointless; as a proper one it meant a character and a plot, the latter most assuredly lengthy and pointless, but on which would nonetheless end very soon. Misery ran through the last four (or maybe it was five) months of his life, all right, plenty of Misery, Misery day in and Misery day out but surely that was too simple, surely — Oh no, Paul. Nothing is simple about Misery. Except that you owe her your life, such as that may be… because you turned out to be Scheherazade after all, didn’t you?
Again he tried to turn aside from these thoughts, but found himself unable. The persistence of memory and all that. Hacks just want to have fun. Then an unexpected idea came, a new one which opened a whole new avenue of thought.
What you keep overlooking, because it’s so obvious, is that you were — are — also Scheherazade to yourself.
He blinked, lowering his head and staring stupidly out into the summer he had never expected he would see. Annie’s shadow passed and then disappeared again.
Was that true?
Scheherazade to myself he thought again. If so, then he was faced with an idiocy that was utterly colossal: he owed his survival to the fact that he wanted to finish the piece of shit Annie had coerced him into writing. He should have died… but couldn’t. Not until he knew how it all came out.
Oh you’re fucking crazy.
You sure?
No. He was no longer sure. Not about anything.
With one exception: his whole life had hinged and continued to hinge on Misery.
He let his mind drift.
The cloud, he thought. Begin with the cloud.
This time the cloud had been darker, denser, somehow smoother. There was a sensation not of floating but of sliding. Sometimes thoughts came, and sometimes there was pain, and sometimes, dimly, he heard Annie’s voice, sounding the way it had when the burning manuscript in the barbecue had threatened to get out of control: “Drink this, Paul… you’ve got to!” Sliding?
No.
That was not quite the right verb. The right verb was sinking. He remembered a telephone call which had come at three in the morning — this was when he was in college. Sleepy fourth-floor dorm proctor hammering on his door, telling him to come on and answer the fucking phone. His mother. Come home as quick as you can, Paulie. Your father has had a bad stroke. He’s sinking. And he had come as fast as he could, pushing his old Ford wagon to seventy in spite of the front-end shimmy that developed at speeds over fifty, but in the end it had all been for nothing. When he got there, his father was no longer sinking but sunk.
How close had he himself come to sinking on the night of the axe? He didn’t know, but the fact that he had felt almost no pain during the week following the amputation was a pretty clear indicator of just how close, perhaps. That, and the panic in her voice.
He had lain